Jewish & Arab Writers Quest for Peace in the Middle East Emerging Literacy How Children Learn to Read and Write
Itzhak Rabin Memorial
Jewish & Palestinian Writers Quest for Peace in the Middle East Mo H Saidi
During a recent journey to Israel and Jordan, I witnessed the peaceful and democratic co-existence between Jews, Arabs, Christians, Bahais, and Druse in Israel, as well as the thriving economy that had benefited all including the Palestinians living in East Jerusalem. Observing this equilibrium in the towns and villages, I find it hard to believe the lack of progress and ultimate solution in the persistent Arab-Israeli conflict. Although there was a deep-rooted desire for peace in both Israeli and Arab communities, especially among intellectuals, artists, poets, and writers—whether born in Israel or in the Palestinian towns and villages—one sadly notices a subtle pessimism toward achieving peace among all parties. They speak movingly of the need for peace and wish that the various political forces would reach a consensus, recognize each other’s existence and needs, and enhance friendship in the region. On November 29, 1947, the United Nations General Assembly approved Resolution 181, which called for the partition of British-ruled Palestine into a Jewish state and an Arab state. The resolution was accepted by the Jews but rejected by the Arab countries. Ten days after the declaration of the State of Israel by David Ben-Gurion on 14 May 1948, the first modern Arab-Israeli war began. Fighting over Jerusalem, the fertile Jordan valley, and the natural harbors along the Mediterranean Sea, however, has been a recurring event over the last three thousand years; among the invaders were Babylonians, Greeks, Romans, Byzantines, Muslims, Crusaders, the Ottoman forces, and the British Empire. As the last three Arab-Israeli wars have shown, fighting has deepened the conflict and delayed the resolution of the disputes. The despair and pessimism are reflected in the work of many local writers, for example, the Israeli writer and peace activist A.B. Yehoshua who is well known for his liberal views. He was born into a fifth-generation Jerusalem family of Sephardic origin. He served as a paratrooper in the Israeli army from 1954 to 1957. After studying literature and philosophy at the Hebrew University of Jerusalem, he began teaching and writing mainly fiction. He has been a visiting professor at Harvard, Princeton, and the University of Chicago. Yehoshua is the author of nine novels, three books of short stories, four plays, and four collections of essays, most recently Ahizat Moledet ("Homeland Lesson"), a book of reflections on identity and literature. His works have been published in translation in 28 countries and adapted for film, television, theater, and opera. An ardent, untiring activist in the Israeli Peace Movement, Yehoshua attended the signing of the Geneva Accord and freely airs his political views in essays and interviews. He is a long-standing critic of both the Israeli occupation and the Palestinians. He and other intellectuals mobilized on behalf of the dovish New Movement shortly before the 2009 elections in Israel. Before the recent Israel-Gaza conflict, he published an appeal to Gaza residents urging them to end the violence: "We will always be neighbors, so the less blood is shed, the better the future will be." He added that he "would be happy for the border crossings to be opened completely, and even for Palestinian workers to come to work in Israel as part of a cease-fire." Both Israeli and Palestinian poets desperately try to infuse energy and hope for peace and brotherhood in their people. Despite the desire of the majority of people, both Israeli and Palestinian, poets and artists, and the world, the peaceful resolution of the Middle East conflict is as improbable today as ever, especially when you add the tenuous political situation in the aftermath of the Arab Spring movement, the bloody Syrian uprising, and the divided leadership in the Palestinian Territories. This fact justifies the gloom that overrides the literary work of many regional writers today.
Emerging literacy describes the gradual, ongoing process of learning to understand and use language that begins at birth and continues through the early childhood years (i.e., through age eight). During this period children first learn to use oral forms of language—listening and speaking—and then begin to explore and make sense of written forms—reading and writing. Emerging literacy begins in infancy as a parent lifts a baby, looks into her eyes, and speaks softly to her. It’s hard to believe that this casual, spontaneous activity is leading to the development of language skills, but this pleasant interaction helps the baby learn about the give and take of conversation and the pleasures of communicating with other people. Young children continue to develop listening and speaking skills as they communicate their needs and desires through sounds and gestures, babble to themselves and others, say their first words, and rapidly add new words to their spoken vocabularies. Most children who have been surrounded by language from birth are fluent speakers by age three, regardless of intelligence, and without conscious effort. Each of the 6,000 languages in the world uses a different assortment of phonemes—the distinctive sounds used to form words. When adults hear another language, they may not notice the differences in phonemes not used in their own language. Babies are born with the ability to distinguish these differences. Their babbles include many more sounds than those used in their home language. At about six to ten months, babies begin to ignore the phonemes not used in their home language. They babble only the sounds made by the people who talk with them most often. During their first year, babies hear speech as a series of distinct but meaningless words. By age one, most children begin linking words to meaning. They understand the names used to label familiar objects, body parts, animals, and people. Children at this stage simplify the process of learning these labels by making three basic assumptions: labels (words) refer to a whole object, not parts or qualities ("Flopsy" is a beloved toy, not its head or color). Labels refer to classes of things rather than individual items ("Doggie" is the word for all four-legged animals). Anything that has a name can only have one name (for now, "Daddy" is "Daddy," and not a "man" or "Jake"). As children develop their language skills, they give up these assumptions and learn new words and meanings. From this point on, children develop language skills rapidly. Here is a typical sequence: at about 18 months, children add new words to their vocabulary at the astounding rate of one every two hours. By age two, most children have one to 2,000 words and combine two words to form simple sentences: "Go out." "All gone." Between 24 to 30 months, children speak in longer sentences. From 30 to 36 months children begin following the rules for expressing tense and number and use words such as "some," "would," and "who." At the same time as they are gaining listening and speaking skills, young children are learning about reading and writing. At home and in child care, Head Start, or school, they listen to favorite stories and retell them on their own, play with alphabet blocks, point out the logo on a sign for a favorite restaurant, draw pictures, scribble and write letters and words, and watch as adults read and write for pleasure and to get jobs done. Young children make numerous language discoveries as they play, explore, and interact with others. Language skills are primary avenues for cognitive development because they allow children to talk about their experiences and discoveries. Children learn the words used to describe concepts such as up and down, and words that let them talk about past and future events. Many play experiences support children's emerging literacy skills. Sorting, matching, classifying, and sequencing materials such as beads, a box of buttons, or a set of colored cubes, contribute to children's emerging literacy skills. Rolling playdough and doing fingerplays help children strengthen and improve the coordination of the small muscles in their hands and fingers. They use these muscles to control writing tools such as crayons, markers, and brushes. As their language skills grow, young children tell stories, identify printed words such as their names, write their names on paintings and creations, and incorporate writing in their make-believe play. After listening to a story they talk about the people, feelings, places, things, and events in the book and compare them to their own experiences. Reading and writing skills develop together. Children learn about writing by seeing how the print in their homes, classrooms, and communities provides information. They watch and learn as adults write--to make a list, correspond with a friend, or do a crossword puzzle. They also learn from doing their own writing. Children pass through stages as they develop the physical and thinking skills used in writing. Early scribbling, the first stage, takes place when a child first encounters crayons and paper, grasps the crayon in her fist, and makes random marks on paper. She is likely to be more interested in the physical experience of scribbling than in the products of her efforts. At the next stage, controlled scribbling, the same child discovers that she can control the marks she makes with a crayon. Increases in her small muscle skills and eye-hand coordination and her ability to think before acting allow her to explore different techniques and colors. Children pass through several more writing stages during the preschool years. A child in the basic forms stage can look at his scribbles and see rectangles, squares, and circles. His physical skills are developed enough so that he can repeat the actions that led to forming these shapes. At this stage, a child might also engage in scribble writing--horizontal, linear scribbles that go across a page as if they were actual words. Scribble writing does not look like actual words, but it does look like the writing system the child has seen adults use. In this stage, the child might also come to understand that drawing and writing are different. He may draw a picture then use scribble writing on a different part of the page. The pictorial stage begins when a child can combine marks and basic forms to make pictures and letters that look like real things. In this stage, children understand that pictures and words are symbols.
San Antonio Visual Artists, SAVA, was founded in the 1980s as a listing site for local artists working in all media of the visual arts. More than 500 local artists have since joined SAVA. Their media include the full spectrum from painting, pottery, and sculpting to cloth arts and digital visual art forms.
Call for Submissions
SAVA is ready to accept submissions for the Annual SAVA Juried Art Show at the Bijou Theater in Crossroads Mall in October 2012. For more information please email: SAVA360@yahoo.com.
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